Many moons ago, myself and my friend Loughlin formed a band called The Analog Revue and we made some amazing music by exchanging files transatlantically. The end result was an EP we called Urban Future Cowboy. The tracks on the EP were all originals (which I will upload in due course) with the exception of this one – a recording of the original German language composition Die Moritat von Mackie Messer by Bertolt Brecht/Kurt Weill (popularised in English as Mack the Knife). I love the recording and mix Loughlin did with this, especially the crazy guitar strumming pattern. I also have fond memories of doing my best Tom Waits auf Deutsch on vocals, with a towel over my head in my apartment in New York to record the vocals as cleanly as I could. Still sounds fresh to me.
In 2013 I was asked by commissioning editor Dave Lordan to write a piece for a publication entitled New Planet Cabaret which was a cool, interesting anthology book published by New Island Press. Here’s how they described it on the book jacket:
In December 2012, New Island and RTÉ Radio One’s Arena launched the first on-air creative writing course. The course took place on the first week of each month until June 2013. Writer and creative writing teacher Dave Lordan led the course, each month offering a new writing prompt to listeners who would submit material based using that prompt as inspiration. This book contains the best of those submissions. To accompany them, Arena specially commissioned pieces by a host of emerging Irish writing talent producing a completely novel and enjoyable anthology that presents the best of up-and-coming Irish writing talent.
My piece was a cross between a surrealist story and stageplay, featuring two recurring characters (Freddie and Jam-Jam) from my writings down the years. In the end I think this piece was quite successful, and I do like the playful feel of it, and the way it jumps in and out of traditional forms, as well as how it comments on the written form itself. For the launch of the book, RTE Radio (our national broadcaster) did a live show from the Gutter Bookshop in Dublin and I performed an excerpt of the piece live on air with my friend Brian, which was really fun and very warmly received. So, in many ways, this piece holds very fond memories.
A short, wooden gangway extends out onto a lake. Freddie and Jam-Jam sit at the end, feet dangling, staring into the middle distance. A rowing boat, tied to a pole beside them, thuds rhythmically against the gangway.
FREDDIE: Right, I’m about to push off.
JAM-JAM: What’s the story with it?
FREDDIE: It’s that giant new cabaret place.
JAM-JAM: Oh deadly. We should probably get a load of cans!
FREDDIE: No. It’s not that kind of place.
JAM-JAM: Well what kind of place is it so?
FREDDIE: I believe it is being described as a new narrative arena.
JAM-JAM: Sounds like bollocks, let’s definitely get cans.
FREDDIE: We are not bringing cans.
JAM-JAM: Alright man. Whatever. Let’s push off.
The boat slices swiftly across the surface of the lake. Freddie and Jam-Jam are seated facing each other. A plastic bag full of cans sits between them. The moonlight gently illuminates their faces as they speak.
JAM-JAM: I was wondering if I could switch to another story?
JAM-JAM: This story is kinda pretentious. I was wondering if you’d mind if I went to a different one?
JAM-JAM: This story is kinda pretentious. I was wondering if you’d mind if I went to a different one?
FREDDIE: You mean leave the story we are in right now?
JAM-JAM: Yeah. It’s a bit shit.
FREDDIE: What? That’s not fair. It’s half yours.
JAM-JAM: I suppose, but I’m not mad about it.
JAM-JAM: To be honest, I’m not really sure what it’s trying to say.
FREDDIE: So what! And even if you could go, where would you go?
JAM-JAM: I’d say a Hemingway novel would be good craic. All that bravado and bulls. And balls!
FREDDIE: But those novels are already written
FREDDIE: So, you can’t go there, there is no room for you in the story.
JAM-JAM: Says who?
FREDDIE: Says Hemingway.
JAM-JAM: Fine. I’ll head off to a nice warm foreign book. Maybe something Middle Eastern.
FREDDIE: What about Outguard? I thought you wanted to come.
JAM-JAM: Yeah, I was thinking a bit more about that. Can you maybe jump ahead a few pages and see what it’s like, then let me know?
JAM-JAM: Yeah. Just have a sneaky little peek and see if I should bother my hole.
FREDDIE: (sighs) Very well.
JAM-JAM: Savage. I’ll be here, just text me or whatever.
FREDDIE: Wait a minute. This is stupid. I don’t even know what you want me to find out for you.
JAM-JAM: Ah sure, the usual. See if there are any good-looking women, bit of intrigue, sparse dialogue, hint of danger. That kind of thing.
FREDDIE: (wearily) I see. Alright. See you in a moment then.
JAM-JAM: (engrossed in his phone) Ok dude
Freddie steps out of the boat onto the shore. The coarse, damp sand crunches beneath his feet. He walks into the forest. In an instant, maybe longer, he reappears. He motions at Jam-Jam to come with him.
JAM-JAM: What’s this, man?
FREDDIE: This is Outguard.
JAM-JAM: Ah here, this is bullshit; you’re after tricking me.
FREDDIE: What do you mean?
JAM-JAM: This is just the same old story.
FREDDIE: Maybe so, but can you not just enjoy it for what it is?
JAM-JAM: No chance! I’m actually pissed off. You have me doing this heavy-handed dialogue now. This party’s definitely over. I’m heading back
FREDDIE: Go. You won’t find what you want.
JAM-JAM: How would you know man? We’re not even on the same page!
A breeze blows stiffly across the lake. Freddie and Jam-Jam sit at the end of the wooden gangway in silence.
JAM-JAM: Here, I’m sorry about earlier on, you know, over there.
FREDDIE: Forget about it. No harm done.
JAM-JAM: It was out of order all the same. C’mere though, what was the story with your man at the cabaret?
FREDDIE: Some character wasn’t he?
The wind picks up and waves start to splash against the base of the gangway. The boat begins to thud loudly as it strikes the gangway with force. Freddie and Jam-Jam pull their coats tighter around their frames.
FREDDIE: What do you think?
JAM-JAM: About what?
JAM-JAM: I dunno man.
FREDDIE: I always feel like I am missing something.
JAM-JAM: Story of my life.
Back in the late 90s, myself and my friend Jakob made some arty little short films together. With a shared interest in German filmmaker Wim Wenders (specifically the film Himmel Uber Berlin) and U2, we set out with a camera to film in the abandoned power plant in Poolbeg in Dublin. I then recorded a slightly pretentious poem that acted as the cacophony of voices the angels could hear. All mixed together with a blast of Zooropa by U2. The end result is actually a pretty nice little film that still looks and sounds good to me.
Several years ago I started drawing these little cartoons that I called “The Man” and each little image was a quirky or philosophical musing on what it was to be alive. Most of them are pretty absurd (and crudely drawn) but they struck a chord with some other friends, one of whom even made a t-shirt out of one of them (what an honour!). So I kept drawing them, and many of them still make me chuckle, and others even feel like they came from something unconscious within me and told some grander truth. Most of all they were just enjoyable to draw, and it is an idea I revisit time to time. I have bucketloads more of them that may well see the light of day as a series sometime, but for now, here are initial scraps of sketches and ideas for that cartoon series of “The Man”. I quite like the simplicity of them and the ideas they evoke.
Found this old sketch in my notebook of a character I created called Blockhead O’Yeah, and he was a cubist piece of art who had come to life to inspire his fellow characters. This little nugget of wisdom must have been my subconscious giving me a pep talk!
Words of artistic wisdom to live by from my son Casper!
“On a scale of 1 -10 on how good your art is, it will never be a ten. There is always room for improvement. by Casper. age 8”
Following on from my popular previous post 10 of my absolutely favourite films – from the sublime to the ridiculous, here is another list of 10 absolutely stunning films you really can’t afford to miss. Watch the trailers below and let them entice you. I have also included a snappy summary in 20 words or less for each. Happy viewing.
Werner Herzog & Klaus Kinski. The stories behind the mad stories. A fascinating insight into creativity and crazy obsession.
Comedy prison-break movie with Tom Waits, John Lurie & Roberto Benigni. Humorous and heartfelt.
Sumptuous, sweet, smart Swedish film about life and death.
Beautifully filmed story of free diving and what it means to be free.
John McClane. White vest. Yippe-kay-ay Motherf*cker. Classic, cool, action movie.
Quirky coming-of-age story. Career best performance by Bill Murray.
Brainbending, suspenseful sci-fi about life, the universe and everything.
High energy action story that’s actually about destiny and possibility.
Philosophical conversations about reality & human condition. Filmed live then animated!
Scorsese tells ultimate tale of mobsters and madness. Funny how?
Found some old sketches in my notebook for a series of large scale paintings I wanted to do called The Palate Series (or maybe The Pallet Series) which used sayings and phrases from different languages (English, French, German, Swedish) that played with the idea of language – often a linguistic turn of phrase or idea. Also, I was enamoured with the idea of these kinda pop art style paintings that used words as the central imagery, and how the words were literally exploding with colour at the heart of the canvas. I hope to return to these some day and paint them on large canvases.
Spotted in a shop front in Dublin’s city centre. Presumably it will protect us from surges of untoward advances from Serge. From 8 potential Serges even.
The legendary German filmmaker Werner Herzog was profiled a while back in the Guardian newspaper with a particular focus on his comedic sensibilities. Well worth a read for an insight into the mind of a quirky genius. The above video is also another classic Herzog interview with his typical acerbic wit mixed with his profound philosophical take on the world. His words on the role of the poet seem particularly striking and well chosen. Do stick around for the rest of the interview though where he tackles Wrestlemania and Anna Nicole Smith.